A spirit of dislocation runs through the third album by Montañera – real name María Mónica Gutiérrez – where disparate musical cultures and styles rub up against one another, and where the interest lies in how they tessellate. Perhaps that’s appropriate: after all, A Flor De Piel is reportedly a response to the Bogotá -bred singer’s relocation to London, and all the homesickness, culture shock, and difficulty in starting again in a new city that that entails.
Indeed, when Montañera allows herself to truly wail, on album centrepiece and standout ‘Como Una Ram’, something gutural and genuinely affecting emerges that demands repeat plays but also reveals a lack elsewhere on the record. Then again, the closing pair of fractured lullabies work so well precisely because of their digitally crisp palettes and Montañera’s restraint. Their combination adds up to a record of breadth and depth, presence and absence, and strangely intangible longevity.