Get an exclusive flexi disc from The Streets with this month’s edition of Loud And Quietshort19 Sep 2023
Loraine James – Gentle Confrontation: One of the most tender yet innovative electronic producers aroundreviews18 Sep 2023
Apostille – Prisoners of Love and Hate: Glasgow's one-man DIY hit machine is as emotional as everreviews18 Sep 2023
JOHN – A Life Diagrammatic: The South London duo return with their most atmospheric, intense record yetreviews18 Sep 2023
Vagabon – Sorry I Haven't Called: Lætitia Tamko leans into her electronic pop sensibilities more than ever beforereviews18 Sep 2023
Woods – Perennial: On the sweet spot between crunchy granola and beachy psychedelicsreviews18 Sep 2023
Nation of Language – Strange Disciple: Undeniably impressive, but this is too much of an '80s pastiche to establish its own identityreviews18 Sep 2023
Aunty Rayzor – Viral Wreckage: The lockdown breakout star expands her sound in brilliant new directionsreviews18 Sep 2023
The Streets are on the cover of Loud And Quiet 161 – with an exclusive Streets flexi disc for L&Q subscribersshort13 Sep 2023
Mitski – The Land Is Inhospitable and So Are We: One of US indie's most beloved songwriters sounds rejuvenatedreviews13 Sep 2023
Alabaster DePlume – Come With Fierce Grace: The earnest ambient jazz artist's most beautiful work so farreviews13 Sep 2023
Yussef Dayes – Black Classical Music: Masterful stuff from the a generational percussion talentreviews5 Sep 2023
