Earlier this year, SCALPING faced the challenge of how to bring this all into the studio for the CHAMBER EP. This featured two tracks and remixes by Bristol producers Bruce and DJ October, a figure Rushforth claims to have always looked up to, as having masterfully married industrial guitar music with EDM. To the band’s genuine surprise, the EP received an excellent response, even gaining a mainstream radio supporter in Huw Stephens. “It’s not the kind of music you expect to be played on daytime 6Music – at all,” Hill says.
“What’s even more insane, is playing shows and people tell you they’ve come because they heard you on radio,” Rushforth adds. “That seems like such an archaic way of ingesting information, let alone following it up and going to see it live.”
“It’s nice though,” Thomas considers, “that this more traditional, ‘punk-rock’ way of following music has managed to transpose itself onto what we’re doing… what we’re trying to do is bridge that gap.”
Equally, Jones notes its acceptance by the EDM community, being played at techno nights including a recent Boiler Room. “We never knew if it was actually going to work that way,” he says, “but it’s what we were trying to achieve – that it could sit in both worlds.”
“It shouldn’t be a strange thing for a guitar to come up on a dance-floor,” Rushforth adds. “It’s just another way of making a sound.”
This set of aspirations is something SCALPING attribute foremost to Bristol. “The city’s music has shaped this project more than anything,” Hill claims. “I don’t think there’s any other place where it would have happened quite this way.”
Thomas supports this, noting local artists’ disregard for ‘looking cool’, while Rushforth points to the quality of Bristol’s soundsystems in shaping an understanding of great electronic music: “Just being able to experience proper bass is a privilege a lot of people don’t have,” he says.
“Bristol gives you a confidence to not hold back when you do have ideas,” Jones adds. “You end up doing quite unusual things not because of a deliberate plan, but because there’s nothing to hold you back. There’s a collective confidence because everyone is being uncompromising”.
Accordingly, the group’s new single, ‘Ruptured’, is a far darker, more left-field track than those on CHAMBER; “it just gives a more rounded view of what we do,” Rushforth claims. “That first one had to be a banger… this one shows we can play slower and make it a bit more production-focused.”
“I don’t know how people are going to react to it,” Hill says. “This one might require a bit more patience.”
“That’s alright” Rushforth replies, “got to separate the wheat from the chaff somehow.”
Beyond this, the group are uncertain as to where SCALPING goes next. “We never decided for ourselves what we’re going to end up being,” Jones claims. “We’re in an environment where it can grow into anything.”
For now, the focus is to “constantly be nodding to both worlds,” Rushforth says. “To see bands and dance music, keeping up to date with both sides, while still trying to be SCALPING… outside of everything.”
Photos by: Mariana Sabio