There goes Eddie bringing up his age again. The Lorde connection, though, there’s kinda something to that. “We just had a mutual friend on the Internet and we hung out a few times but that was just before she blew up,” says Eddie. “I haven’t really seen her since! I’m sure she would be cool if I reached out to her again though.”
At the same time Lorde was blowing up, Lontalius was evolving into something of a quieter online sensation. His Casio covers of popular hits, by Drake, Pharrell and Beyoncé, produced a word of mouth following that spread like wildfire. “I’m not scared of the Internet, for sure,” he says. “Especially for people my age, it’s been a breeding ground for people like me who put songs on Soundcloud. We have all these opportunities that we wouldn’t get otherwise because I live in New Zealand that’s as far away from the rest of the world as possible.”
The Lontalius we hear on ‘I’ll Forget 17’ has an originality and confidence far beyond the confines of his bedroom set-up, and Eddie explains: “The way trends work, music that gets put on Soundcloud, it all happens super quickly. If I were to make a song with all the trends that were around right now and got it released properly with my label it wouldn’t come out for a year and the trend would be gone. It’s easy to copy other people, it’s definitely a lot harder for any musician to try and be original but I think I have been lucky. I went to far too many DIY punk shows when I was 13 and quickly got bored with the DIY thing. Even though I do a lot of stuff myself, the lo-fi element disappeared and it was pop music and RnB that started to really excite me in the music world rather than shoegaze or punk bands.”
After a brief chat about the DIY scene in Wellington we find ourselves back at his album, a body of work he’s clearly proud of. What’s interesting, though, is his hesitation and self doubt, a trait that you can hear in Eddie’s vulnerable vocal and lyrics. “Yeah, I get nervous about it. Some of the stuff I gained popularity from was the more electronic, more trendy stuff – the covers really. The idea with this album is trying to round up all of my musical influences from the last 5 years or so. So that means there are maybe some indie rock moods which don’t translate as well on the Internet.”
Tasked with condensing Eddie’s broad taste (he’s quoted everyone from Crowded House to MF Doom as inspiration in various interviews) into a collage of sound was Ali Chant, a Bristol based producer with an eclectic CV. From PJ Harvey to Perfume Genius, Chant has been drawn to original talent. “One of the main things he brought to the table was he kind of represented a general music listener,” says Eddie. “I worked on the album a lot myself and had a lot of strong ideas but when I presented them to him he was like, a good judge for me and would tell me what would work and what wouldn’t straight away, which was what I needed. Working in the bedroom by myself I am not the most skilled engineer so that was also really helpful.”
I wonder what he made of the UK and if the country’s grey skies walked within ‘I’ll Forget 17’. “I did enjoy Bristol,” he says. “The UK always interests me because obviously New Zealand is a colony and it’s been super cool seeing what aspects of the culture I am already familiar with. It was kind of scary when I had a cold in London I went and bought Strepsils and it was all these brands I recognised, so completely different to America where everything is brightly coloured and exciting. It was comforting, though, for the two or three weeks I was over.”