Faux Real – Faux Ever: how to turn a semi-satirical live show into a pop hit factoryreviews10 Oct 2024
Hinako Omori – Stillness, Softness…: Near perfection from the ambient musician's most introspective soundscapesreviews23 Oct 2023
Mabe Fratti: “Sometimes my dad brought home new age animal music. Like wolf sounds”interview17 Oct 2023
Slowdive – Everything Is Alive: As profound and quietly optimistic as the shoegaze legends have ever soundedreviews29 Aug 2023
Lauren Auder – The Infinite Spine: A hugely anticipated debut album has come good on every promisereviews18 Jul 2023
Depeche Mode live at Primavera Sound: an emotional tribute to Andy Fletcher, then one hell of an encoreshort4 Jun 2023
Alex G live at Primavera Sound: an indie icon becoming a proper rock star, whether he likes it or notshort2 Jun 2023
SBT – Joan Of All: Indie rock that sounds like a city being rebuilt on top of itself (in a good way)reviews30 May 2023
Josephine Foster – Domestic Sphere: Some of the most beautifully haunted music you'll hear this yearreviews4 May 2023
Complete Mountain Almanac – Complete Mountain Almanac: A generous, life-affirming recordreviews7 Feb 2023
Redcar, aka Christine and the Queens, allowed our imaginations to run wild in London last nightshort23 Nov 2022
James Yorkston: “If one is in a position where one can do art for a living then it’d be foolish to look elsewhere”interview11 Nov 2022
