Kim Gordon is on the cover of Issue 163 of Loud And Quiet – preorder or subscribe nowshort18 Jan 2024
Jaakko Eino Kalevi – Chaos Magic: There's still invention to be found in psychedelic popreviews3 Dec 2023
AOTY 2023: “In order to achieve resonance in this music, verbal communication is not necessary” – Divide and Dissolveshort1 Dec 2023
99LETTERS – Zigoku: Cohesive works of sonic world-building from the electronic producerreviews17 Nov 2023
Armand Hammer – We Buy Diabetic Test Strips: One of the best hip hop records of the year, pure and simplereviews2 Oct 2023
Fat Tony & Taydex – I Will Make A Baby In This Damn Economy: Loads of ideas thrown at the wall – quite a few of them stickreviews21 Aug 2023
Fran Lobo – Burning It Feels Like: Committed, liberated-feeling work from the London artistreviews14 Aug 2023
Injury Reserve as they become By Storm: “Sometimes a minute-long song can be more to chew on than most albums”interview2 Aug 2023
Iceboy Violet – Not A Dream But A Controlled Explosion: Intoxicating experimental rap from Manchester's leftfield fringereviews31 Jul 2023
“Don’t take this the wrong way”: looking back at that extremely silly Alex Turner BRITS speechshort6 Mar 2023
Beqa Ungiadze – სადგური [Station]: An early contender for ambient album of the yearreviews20 Feb 2023
Various Artists – Future Chorus: You've not heard a vocal album quite like this beforereviews23 Jan 2023
New Orleans noise-punks Special Interest: “People are learning how to handle conflict – to engage in actual action”interview16 Dec 2022
“We’ve had to reimagine these songs over and over again”: Naima Bock on making one of 2022’s best albumsinterview7 Dec 2022
“I’ve been steeling myself for people not to like it”: Richard Dawson on making one of the best albums of 2022interview5 Dec 2022
