Geordie Greep – The New Sound: The ex-Black Midi frontman remarkably delivers on his brief of a guitar album like no otherreviews1 Oct 2024
Mabe Fratti – Sentir que no sabes: The avant-garde cellist's most palatable and instantaneous album, without compromisereviews8 Jul 2024
Jumping Back Slash & BŪJIN – A Seat In Heaven: Hauntological deep soul from South Africa's undergroundreviews27 Nov 2023
Rutger Hauser – Good Sleep: Kraut and folk-influenced avant-rock from deep within the uncanny valleyreviews24 Jul 2023
Like their founder, the Sun Ra Arkestra's star only burns brighter with every trip around the sunreviews3 Oct 2022
Is there anyone in contemporary jazz working at the level of Makaya McCraven right now?reviews19 Sep 2022
“We pied the Oliver Cromwell Museum” – you have to have fun as a new band, say Lunch Money Lifeinterview25 Jul 2022
Satan Club is a lovely, meditative solo LP from Deathcrash guitarist Matt Weinbergerreviews17 Jun 2022
Bristol techno-metal warlocks Scalping have made a very bleak, very exciting debut albumreviews25 Apr 2022
Japanese punk is in rude health, and Nicfit are one of its most exciting new forcesreviews29 Nov 2021